Das cenas ao ato: o processo dramatúrgico em Cristina Mato Grosso

Abstract

Based on observations of Said (2005) , Santos Silva (2004) and Souza (2002) concerning the role of the intellectual in contemporaneity; the theoretical assumptions of Ryngaert (1996) , Magaldi (2008) , Pavis (1999) , Ubersfeld (2005) , Pascolati (2009) , Ball (2009) and Peixoto (1980) relating to studies of the theatrical text ; the theoretical contributions of Palottini (1989) with reference to the notions of characters configuration ; Avelar (2003 ) and Achugar (2006 ) studies about literature of and in Latin America and on studies of Enedino e São José (2011 ) , Mato Grosso (2007 ) and Oliveira (2010 ) concerning historiographical / transcultural route of Cristina Mato Grosso in Mato Grosso do Sul‘s dramaturgic compendium. The purpose of this study is to develop a critical view about the constitution intellectual (compendium dramaturgical) identity of Mato Grosso do Sul, highlighting the playwright Cristina Mato Grosso as a representative in the process of search and dissemination of theatrical identity in the State. An investigation of the dramatic work will be carried out in Foi no belo sul Mato Grosso (1979 ) by Cristina Mato Grosso , focusing on the strong presence of popular and engaging theater , both in dialogue and in the structure of the piece theater as well as the descriptive process time / space present in the work and its persona . Lastly, we also intend to note how such aspects collaborate to provide certain effects of meaning in the play, which confirms the formation of an aesthetic project of the author and, by extension, the dramaturgy of Mato Grosso do Sul.