SOFTWARE ARTE E INTERATIVIDADE: VIGILÂNCIA LÍQUIDA E O CORPO NA OBRA

Abstract

This research is inserted in the contemporary artistic field, more precisely in Technological Art and its developments in Software Art and Generative Art. It aims to briefly understand, in theoretical and practical aspects, how hybrid audiovisual platforms of computer programming are used in artistic creation processes. For the poetic and aesthetic construction of an artistic proposition, it will be done through HCI (Human-Computer Interaction) and CTS (Science, Technology and Society) thinking based on Zygmunt Bauman's texts on liquid surveillance. As a result of these connections, we also aim at the poetic and aesthetic construction of the artistic proposition of an interactive work, produced from software based on a computer programming environment called Cables.