VIDEOPERFORMANCE: DIÁLOGOS COM AS IDENTIDADES TRANSGÊNERO E A SOCIEDADE

Abstract

The aim of this research was to understand how the deconstruction of video languages ​​occurs in video performance, because I intend to discover how it can serve to address issues related to the identities of transgender people, as well as to understand how this artistic language can fulfill a mediating role between the theme and the public. For this, theories on video languages ​​by Arlindo Machado (2010), Christine Mello (2008) and Patrícia Silveirinha (1979) were used; the relationship between video and body by Regilene Sarzi (2019) and the gender theories of Márcia Tiburi (2023), Teresa de Lauretis (1994) and Paul Preciado (2022), who defends the dissolution of binary structures of gender and sexuality, among other authors. To contribute to the creative process of the production developed here, a brief observation was made of the artistic proposals of Alice Yura and Uýra Sodoma, transgender women who work in the languages ​​of performance and its hybridizations. From this reference, we aim to produce video performances, therefore through self-writing, that address the feelings and experiences of a transgender person; I also intend to explore the field of experimental sound, thus generating a sensory experience for the audience's enjoyment.