Drummond, leitor de si mesmo: princípios de organização em sua Antologia Poética

Abstract

This research resulted in a dissertation based on the discursive semiotic theory, also known as Greimasian or The French Approach, understood as the most suitable for the analysis of our object - the drummondian poetic text - due to its character of theory focused on an approach content and expression of texts. Starting from the premise of an existing gap in relation to the studies and analysis of the work Antologia Poética, by Carlos Drummond de Andrade, considered as representative not only because it has a variety of poems, but also because it was organized by the author himself, from personal choices, the objective was to carry out an analysis of its organizational axes in order to identify the simulacrum of the drummondian enunciator as a reader and organizer of his own Anthology. With regard to the method, analyzes were made of the generative path of meaning of two poems from each of the sections that make up the book, aiming to verify, through the themes of the sections, the presence of recurrent semantic elements in the texts that the they constitute, from which one could reach the general axis of organization of the work and, at the same time, an identification of the simulacrum of the drummondian enunciator. By examining the generative path of some poems that construct the corpus of this research, it can be seen that they have a possible dialogue with each other regarding the theme. Thinking on the organizational process, three related axes were found: first, the selection of works; second, the four drummondian phases; and, third, the theme appropriate to the topics present throughout these phases. These axes, in their junction, raise a general conception of the organization of the work, which aims to show, through the characteristics of a subject, all of his poetic realization. It was observed that a certain subject has as its most evident characteristic the maladjustment, which occurs distinctly according to the theme of the section, being, therefore, a triggering element of passions, as well as a mark that, in addition to giving vent to the feeling of the individual, ends up shaping both the simulacrum of the enunciator and that of the enunciatee, making it possible to understand the enunciative intentionality when organizing the work in a certain way, which can approximate, with due reservations, an image of the author. Key-words: Semiotics. Poetry. Brazilia literature. Simulacrum. Enunciator