O TEMPO NÃO PARA: Arte pop, colagem e afetividade

Abstract

This research sought to provide a brief overview of aspects of the Pop Art movement of the 1960s, with an emphasis on its relationship with public figures in entertainment. Based on this material and taking into account personal affective preferences within the pop universe, I produced a series of digital collages that represent what, for me, are relevant figures in the Brazilian music industry. I chose this theme because the artists and songs addressed resonate with my lived experiences, especially because they speak about the experiences of LGBTQIAP+ people, racialized people, and people inserted in the female world. Thus, inspired above all by the works of James Rosenquist, Eduardo Recife, and other contemporary artists, I use the logic of collage to produce digital and physical works, seeking to represent singers and songs from the 20th and 21st centuries that were acclaimed in Brazilian culture and that are part of my affective repertoire.