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    <dc:date>2026-07-26T13:50:45Z</dc:date>
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  <item rdf:about="https://repositorio.ufms.br/handle/123456789/14490">
    <title>“EU NÃO SEI DESENHAR”: A CONSTRUÇÃO DA IDEIA DE TALENTO E  SUAS IMPLICAÇÕES NO ENSINO DE ARTE</title>
    <link>https://repositorio.ufms.br/handle/123456789/14490</link>
    <description>Título: “EU NÃO SEI DESENHAR”: A CONSTRUÇÃO DA IDEIA DE TALENTO E  SUAS IMPLICAÇÕES NO ENSINO DE ARTE
Abstract: Research on the concept of talent in drawing and its impact on art education, aiming to contribute to more inclusive and formative pedagogical practices.
Tipo: Trabalho de Conclusão de Curso</description>
    <dc:date>2026-01-01T00:00:00Z</dc:date>
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    <title>MEDIAÇÃO CULTURAL EM ESPAÇOS CULTURAIS: análise de uma experiência prática no Centro Cultural José Octávio Guizzo</title>
    <link>https://repositorio.ufms.br/handle/123456789/13972</link>
    <description>Título: MEDIAÇÃO CULTURAL EM ESPAÇOS CULTURAIS: análise de uma experiência prática no Centro Cultural José Octávio Guizzo
Abstract: This undergraduate thesis investigates cultural mediation strategies in exhibition spaces, having as its object of analysis the practical experience developed during the exhibition Sofrência, held at the Centro Cultural José Octávio Guizzo in Campo Grande, MS, from September to October 2024. The general aim of the research is to investigate and reflect on artistic mediation strategies that foster reception, attentive listening, and the participation of different audiences, articulating contemporary theoretical references with practical experiences. The methodology adopted is qualitative in nature, based on the analysis of the experience lived as a cultural mediator in the exhibition mentioned above and complemented by a bibliographic review on cultural mediation and education in non-formal learning spaces. The theoretical framework draws on authors such as Teixeira Coelho (1997), Mirian Celeste Martins (2017), Bernard Darras (2009), Paulo Freire (2019), and Ana Mae Barbosa (2019), among others. The results demonstrate that cultural mediation, when grounded in a constructivist and dialogic approach, effectively contributes to the democratization of access to culture, promoting meaningful aesthetic experiences and reinforcing cultural spaces as territories of encounter and collective construction of meaning. The research also shows that the cultural mediator plays an essential role in the relationship between the public and the artwork, acting not as a transmitter of predetermined knowledge, but as a facilitator of processes of interpretation and cultural appropriation. Sensitive and participatory mediation practices enhance visitors’ cultural experiences, contributing to the formation of critical audiences and to the recognition of cultural spaces as places of belonging and social transformation.&#xD;
&#xD;
Keywords: Cultural mediation; Exhibition spaces; Art education; Cultural democratization.
Tipo: Trabalho de Conclusão de Curso</description>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
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    <title>PRODUÇÃO AUDIOVISUAL: ESTRATÉGIAS E DESAFIOS PARA O ENSINO DE ARTE</title>
    <link>https://repositorio.ufms.br/handle/123456789/13887</link>
    <description>Título: PRODUÇÃO AUDIOVISUAL: ESTRATÉGIAS E DESAFIOS PARA O ENSINO DE ARTE
Abstract: This undergraduate thesis examines audiovisual production as a pedagogical mediation in high school Art education. Using a qualitative approach, it proposes a didactic sequence, ideation and scripting, capture, editing, and exhibition/reflection—grounded in accessible tools (smartphones, CapCut, and Clipchamp) and in theoretical references such as Ana Mae Barbosa, Paulo Freire, José Moran, Jenkins, and Mayer. It argues that audiovisual media, integrated with the triangular approach (appreciation, contextualization, and production) and active learning methodologies, enhances student protagonism, creativity, and media literacy, aligning technical and expressive competencies with communicative goals. The study highlights cognitive gains (synthesis, temporal ordering, and narrative cohesion), socioemotional gains (collaboration, time management, responsibility), and formative outcomes (critical citizenship). It also discusses practical and ethical challenges, unequal infrastructure, limited instructional time, teacher training, and legal considerations regarding image, voice, and copyright—with mitigation strategies such as open-media repositories, formal permissions, and accessibility practices (subtitling and intelligible audio). It concludes that, when intentionally planned, audiovisual production contributes to a more dialogic, creative school aligned with the challenges of the twenty-first century.&#xD;
&#xD;
&#xD;
Keywords: Audiovisual production; Art education; Student protagonism; Media literacy; Active methodologies.
Tipo: Trabalho de Conclusão de Curso</description>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
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  <item rdf:about="https://repositorio.ufms.br/handle/123456789/13880">
    <title>Catarse e ensino de artes visuais: enfrentando a sociedade do cansaço no contexto escolar.</title>
    <link>https://repositorio.ufms.br/handle/123456789/13880</link>
    <description>Título: Catarse e ensino de artes visuais: enfrentando a sociedade do cansaço no contexto escolar.
Abstract: This Final Course Project arises from a critical perception of the technological immediacy present in our society and how art classes can provide an antithesis to this immediacy.
Tipo: Trabalho de Conclusão de Curso</description>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
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