Novas práticas colaborativas de escrita por meio do uso de gêneros digitais
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Akrópolis
Abstract
O objetivo deste trabalho é possibilitar um repensar e uma redefinição
dos modelos de produção textual com os quais a escola ainda opera, buscando,
para isso, articular as práticas de escrita escolares e as tecnologias da comunicação
e da informação disponibilizadas na Internet. Na tentativa de explorar tal
relação, propomos a análise do uso do gênero digital e-mail para a construção
de práticas colaborativas de escrita entre alunos do ensino médio. Para tanto,
apoiar-nos-emos numa base teórica ancorada nos construtos bakhtinianos de
gêneros discursivos, na teoria situada de gêneros (ERICKSON, 1997) e nos
gêneros comunicativos, para dar conta do comportamento dos gêneros digitais
(CROWSTON, 1996; Yates, Orlikowski, & Rennecker, 1997; Cope & Kalantzis,
1999; SHEPHERD & WATTERS, 1999).
To enable the re-thinking and a re-definition of the textual production models still applied in schools in order to articulate school writing practices and communication and information technology available at the Internet. In an attempt to explore such relation, we suggest the analysis of the e-mail usage for the building up of collaborative writing practices among Secondary school students. Therefore, we will on the Bakhtin’s principles of discursive genres, the participatory genre theory (ERICKSON, 1997), and the communicative genres to handle the digital behavior genre (CROWSTON, 1996; Yates, Orlikowski and Rennecker, 1997; Cope and Kalantzis, 1999; SHEPHERD and WATTERS, 1999).
To enable the re-thinking and a re-definition of the textual production models still applied in schools in order to articulate school writing practices and communication and information technology available at the Internet. In an attempt to explore such relation, we suggest the analysis of the e-mail usage for the building up of collaborative writing practices among Secondary school students. Therefore, we will on the Bakhtin’s principles of discursive genres, the participatory genre theory (ERICKSON, 1997), and the communicative genres to handle the digital behavior genre (CROWSTON, 1996; Yates, Orlikowski and Rennecker, 1997; Cope and Kalantzis, 1999; SHEPHERD and WATTERS, 1999).