https://repositorio.ufms.br/handle/123456789/7150 Fri, 10 Apr 2026 13:56:57 GMT 2026-04-10T13:56:57Z https://repositorio.ufms.br/handle/123456789/14296 Título: Alma-de-gato Abstract: This study proposes an analysis of the conceptual relationships between the photobook and the construction of narrative. In it, I address the self-recording (the art of recounting oneself) as a method of understanding the self in relation to the world, especially under a feminist perspective. I relate this practice to the lapses of memory that emerge from everyday experiences (outings, intimacy, festive moments,) and based on this I explore the importance of noise and urban space in photography as an evocation of remembrance. I demonstrate here the function of image sequencing as a way of inhabiting the present while a past is conjured. Tipo: Trabalho de Conclusão de Curso Thu, 01 Jan 2026 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/14296 2026-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/14059 Título: SERES ESTRANHOS: LAMBES E REALIDADE AUMENTADA NA ARTE URBANA Abstract: This research aims to present a theoretical-practical investigation into contemporary art, with a particular focus on digital art involved in the creation of strange or uncanny beings. The study examines how digital processes contribute to the development of these forms, highlighting the conceptual and aesthetic implications within the field of contemporary artistic production. Tipo: Trabalho de Conclusão de Curso Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/14059 2025-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/14040 Título: VIDEOPERFORMANCE: DIÁLOGOS COM AS IDENTIDADES TRANSGÊNERO E A SOCIEDADE Abstract: The aim of this research was to understand how the deconstruction of video languages ​​occurs in video performance, because I intend to discover how it can serve to address issues related to the identities of transgender people, as well as to understand how this artistic language can fulfill a mediating role between the theme and the public. For this, theories on video languages ​​by Arlindo Machado (2010), Christine Mello (2008) and Patrícia Silveirinha (1979) were used; the relationship between video and body by Regilene Sarzi (2019) and the gender theories of Márcia Tiburi (2023), Teresa de Lauretis (1994) and Paul Preciado (2022), who defends the dissolution of binary structures of gender and sexuality, among other authors. To contribute to the creative process of the production developed here, a brief observation was made of the artistic proposals of Alice Yura and Uýra Sodoma, transgender women who work in the languages ​​of performance and its hybridizations. From this reference, we aim to produce video performances, therefore through self-writing, that address the feelings and experiences of a transgender person; I also intend to explore the field of experimental sound, thus generating a sensory experience for the audience's enjoyment. Tipo: Trabalho de Conclusão de Curso Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/14040 2025-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/13962 Título: A CONSTRUÇÃO DA NARRATIVA VISUAL E AS ABORDAGENS ESTÉTICAS DO VOYEURISMO: Estratégias formais em "Janela Indiscreta" (1954) e o processo de criação do curta-metragem "Sai Dessa" (2025). Abstract: The thesis initially addresses the analysis of the formal and compositional aspects of the film Rear Window (1954) and, subsequently, the report on the creation process of the short film Sai dessa (2025), developed from film analysis. Tipo: Trabalho de Conclusão de Curso Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/13962 2025-01-01T00:00:00Z