https://repositorio.ufms.br/handle/123456789/6075 Sat, 28 Mar 2026 01:00:53 GMT 2026-03-28T01:00:53Z https://repositorio.ufms.br/handle/123456789/14248 Título: Correspondências temático-constitutivas em contos de vertente mitológica Abstract: To establish relationships between thematic elaboration and compositional construction in contemporary short stories of mythological origin. Based on the theoretical perspectives of Thematics and Thematology, Short Story Theories, and Mythocriticism. Tipo: Trabalho de Conclusão de Curso Thu, 01 Jan 2026 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/14248 2026-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/14220 Título: Fronteira sonora: o papel da música na construção da identidade cultural de indivíduos da fronteira Brasil-Paraguai Abstract: The Brazil–Paraguay border is a space of intense cultural exchange; therefore, the aim of this study is to investigate how music contributes to the construction of the cultural identity of people living in this border region, focusing on the twin cities of Pedro Juan Caballero and Ponta Porã. Tipo: Trabalho de Conclusão de Curso Thu, 01 Jan 2026 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/14220 2026-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/14000 Título: DEPOIS DA ABOLIÇÃO: A REPRESENTAÇÃO DO SOFRIMENTO DOS AGREGADOS EM OBRAS DE MONTEIRO LOBATO Abstract: El trabajo analiza la representación de los agregados, herederos de los efectos de la abolición de la esclavitud, en las obras de Monteiro Lobato, autor fundamental para la formación de los lectores brasileños en el siglo XX. El estudio tiene como objetivo comprender cómo aparecen personajes marginados en cuentos como "Negrinha", "O Jardineiro Timóteo" y "Os negros", buscando resaltar la postura crítica del autor frente a las desigualdades sociales del período post-abolicionista. La investigación adopta un método analítico-interpretativo, basado en el marco teórico de estudiosos del Modernismo, como Wilson Martins y Alfredo Bosi, y de la crítica literaria, como Antônio Candido y Marisa Lajolo. El análisis de los textos revela que las narraciones están ambientadas a principios del siglo XX y presentan personajes en situaciones de opresión, pero tratados con empatía y solidaridad narrativa, reflejando la atención del escritor a las consecuencias sociales de la esclavitud. También se observa que Monteiro Lobato valoraba a escritores negros, como Lima Barreto, cuya novela “Vida e morte de M. J. Gonzaga de Sá”, había sido editada por él. Se concluye que su producción literaria manifiesta una visión crítica y sensible de las desigualdades históricas brasileñas, alejándose de interpretaciones simplistas de su postura social y revelando la complejidad de su pensamiento. Tipo: Trabalho de Conclusão de Curso Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/14000 2025-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/13895 Título: Representações do Eu nas Autobiografias de Rita Lee Abstract: In this work, we analyze the construction of the self in the autobiographies “Rita Lee – Uma Autobiografia” (2016) and “Outra Autobiografia” (2023), written by Rita Lee Jones de Carvalho and published by Globo Livros. The first work offers a new perspective on the artist’s trajectory, from her childhood in São Paulo in the 1940s until her imprisonment by the military regime in 1976, passing through her departure from Os Mutantes in 1972, her rise as the “queen of Brazilian rock,” and her confrontation with difficulties such as drug and alcohol addiction. The second provides an intimate account of the last three years, presenting a diagnosis of lung cancer amid the pandemic, spirituality, routine, and reflections on death and aging. These works are conceptually based on Philippe Lejeune’s autobiographical pact (1975), citing subjective truth, and Serge Doubrovsky’s autofiction (1977) regarding the freedom of fiction. The analysis combines Pollyanna Reis Dias’s critiques (2019) on the singer’s engagement during the dictatorship, reflections by Jéssica Feijó (2024) on narrative freedom according to Murdock’s “Heroine’s Journey” (1990), and studies by Tiago Ramos and Mattos on the pronoun “I” (2022), while comparisons with Rolling Stone interviews are part of verifying the convergence between the context provided by the media and the autobiography. The findings represent an intricate self-image characterized by ironic challenges, rebellion, feminism, vulnerability, and spirituality that transcend the boundaries of reality to create a highly literary construction. Tipo: Trabalho de Conclusão de Curso Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.ufms.br/handle/123456789/13895 2025-01-01T00:00:00Z