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    <title>DSpace Coleção:</title>
    <link>https://repositorio.ufms.br/handle/123456789/10598</link>
    <description />
    <pubDate>Thu, 23 Jul 2026 01:24:22 GMT</pubDate>
    <dc:date>2026-07-23T01:24:22Z</dc:date>
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      <title>"THE HORROR": GUERRA, MEMÓRIA E TRAUMA NA OBRA CINEMATOGRÁFICA APOCALYPSE NOW, DE FRANCIS FORD COPPOLA (1979)</title>
      <link>https://repositorio.ufms.br/handle/123456789/14663</link>
      <description>Título: "THE HORROR": GUERRA, MEMÓRIA E TRAUMA NA OBRA CINEMATOGRÁFICA APOCALYPSE NOW, DE FRANCIS FORD COPPOLA (1979)
Abstract: This study aims to analyze the film Apocalypse Now (Francis Ford Coppola, 1979) both as a historical source and as a fictional narrative strongly anchored in reality, concerning U.S. participation in the Vietnam War (1955–1975), with emphasis on home front tensions and the historicity of war trauma. Rather than treating the film as a transparent mirror of the conflict, the research reads it as a public elaboration of the experiences, justifications, and impasses that marked the war and its reception in the United States. The approach draws on Film and History and on the History of the Present, combining formal analysis (editing, sound design, mise-en-scène) with the contextualization of the film’s production and reception in its time. Beyond the main source, the documentary Hearts of Darkness: A Filmmaker’s Apocalypse (1991) is mobilized to discuss the production’s collapse as part of the film’s historical meaning. The study argues that the film, as a cultural form that selects, intensifies, and organizes meanings about the past, converts the legitimacy crisis and combat experience into an ambivalent sensory memory (made of noise, repetition, cuts, saturation, and silence), exposing regimes of visibility of violence and their controversies, including in relation to Post-Traumatic Stress Disorder (PTSD).
Tipo: Trabalho de Conclusão de Curso</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufms.br/handle/123456789/14663</guid>
      <dc:date>2026-01-01T00:00:00Z</dc:date>
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      <title>ETNICIDADE EM DINÂMICA: OS TERENA E A RECONSTRUÇÃO IDENTITÁRIA EM CONTEXTOS URBANOS EM CAMPO GRANDE, MS.</title>
      <link>https://repositorio.ufms.br/handle/123456789/14284</link>
      <description>Título: ETNICIDADE EM DINÂMICA: OS TERENA E A RECONSTRUÇÃO IDENTITÁRIA EM CONTEXTOS URBANOS EM CAMPO GRANDE, MS.
Abstract: This study examines the experience of the Terena people, an Indigenous group belonging to the Arawak linguistic family, in the process of migration to the urban space of Campo Grande, Mato Grosso do Sul, and how this movement influences the reconstruction of their identity.
Tipo: Trabalho de Conclusão de Curso</description>
      <pubDate>Thu, 01 Jan 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufms.br/handle/123456789/14284</guid>
      <dc:date>2026-01-01T00:00:00Z</dc:date>
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      <title>UM ESTUDO SOBRE AS FORMAS DE SILENCIAMENTO DA MULHER NA SOCIEDADE CORUMBAENSE: medo, loucura e violência.</title>
      <link>https://repositorio.ufms.br/handle/123456789/13781</link>
      <description>Título: UM ESTUDO SOBRE AS FORMAS DE SILENCIAMENTO DA MULHER NA SOCIEDADE CORUMBAENSE: medo, loucura e violência.
Abstract: This study analyzes the subjugation of women through the stereotype of madness and investigates how fear, as an instrument of social and political control, has historically fueled the discourse of female hysteria, transforming dissident bodies and behaviors into objects of pathologization and exclusion. The research was conducted based on a literature review and content analysis of a 1911 Criminal Case from the municipality of Corumbá, then part of Matto Grosso, which reports a case of violence against a woman that ultimately results in the defendant’s acquittal. Through this case, we can understand discourses involving gender relations, such as victim-blaming and the demand for a sanity examination to validate the woman’s testimony. It also reveals elements of a patriarchal society aimed at maintaining male domination. This study emerges as a tool to illustrate that gender-based violence is a social construction supported by mechanisms of power that have been historically naturalized and consolidated. The theoretical framework draws on Silvia Federici (2017), Gerda Lerner (2019), Michel Foucault (2019), Ana Maria Colling (2019), among others.
Tipo: Trabalho de Conclusão de Curso</description>
      <pubDate>Wed, 01 Jan 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufms.br/handle/123456789/13781</guid>
      <dc:date>2025-01-01T00:00:00Z</dc:date>
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    <item>
      <title>Quem era às mulheres que iam para a Fogueira? Uma análise dos Contos da Bela Adormecida</title>
      <link>https://repositorio.ufms.br/handle/123456789/12384</link>
      <description>Título: Quem era às mulheres que iam para a Fogueira? Uma análise dos Contos da Bela Adormecida
Abstract: This research analyzes the witch hunts carried out in Europe from the 16th to the 19th centuries and how the representation of witches was constructed in Giambattista Basile's Tales of Sleeping Beauty (1634), Charles Perrault's Tales of Sleeping Beauty (1697), and the Brothers Grimm's Tales of Sleeping Beauty (1812). It is known that the persecution of women in the Modern Age was harsh, and the State and the Church, with their bureaucratic apparatuses, organized this persecution. It was also necessary to understand how the representation of "sinful Eve" and the use of the Manual Malleus Maleficarum directly affected the image of midwives and healers. Cultural history was used to analyze the representations of "witches" used in fairy tales and the persecution of women by the Inquisition. To understand the historical context of the Modern Era, we used the bibliography of Modern History, and Content Analysis was applied to understand the Sleeping Beauty tales and their influence on the imagery of the witch and femininity created within cultural and capitalist molds. The tales influenced the spread of misogyny over the centuries and the reputations of thousands of women.&#xD;
&#xD;
Keywords: Witch-hunting; Modern Age; Women; Sleeping Beauty tales; femininity; capitalism.
Tipo: Trabalho de Conclusão de Curso</description>
      <pubDate>Wed, 01 Jan 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufms.br/handle/123456789/12384</guid>
      <dc:date>2025-01-01T00:00:00Z</dc:date>
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