https://repositorio.ufms.br/handle/123456789/9455 2026-04-11T10:48:52Z https://repositorio.ufms.br/handle/123456789/4639 Título: HIV/aids e poesia contemporânea brasileira na antologia “Tente entender o que tento dizer”, organizada por Ramon Nunes Mello Abstract: As we follow humanity during countless historical periods, diseases and epidemics were portrayed widely in the literature. Exactly from specific social, religious, cultural also specific political contexts of societies. Based on the studies of potentialities between “epidemics” and “literature”, HIV/AIDS is considered a fundamental issue of this thesis. In academic studies, we identified a certain predominance of the theme of HIV/AIDS into prose literary books such as novels, short stories, novellas, etc., which also directs us to the understanding of this thematic in the poetic genre. Thus, we aim to comprehend the representations of HIV/AIDS in Brazilian contemporary poetry from the first poetic anthology published in Brazil specially focused on this issue called “Tente entender o que tento dizer: poesia + hiv/aids”. Published in 2018, the work has 101 poems by 96 Brazilian poets, and it was organized by the poet and journalist Ramon Nunes Mello from Rio de Janeiro. We elaborate a brief overview from non-unpublished texts of this anthology, exactly from books focused on the homoerotic universe and surveys on the Internet, and they are from the 1980 to 2021 period time. Its structural elements, its formal and semantic aspects were analyzed with the theoretical-critical contribution of Theory of Poetry, following the examples of Antonio Candido (1970; 1999; 2004; 2006; 2006b; 2017), Octavio Paz (1982; 1994; 2009), Alfredo Bosi (1977; 2015), among others. The panoramic path is followed by reflection on the history and configurations of poetic anthologies, also the critical and authorial function performed by the anthologist in the organization of anthological literary works. We also investigated the paratextual elements of the poem “Tente entender o que tento dizer”, and its repercussions on national literature and culture, furthering a discussion about the Brazilian anthology in comparison with the foreign anthologies “Poets for Life” (1992), “Unending Dialogue” (1993), “POESÍdA” (1995) and “Still Here” (2008). Lastly, it is analyzed in greater depth three poems of Tente entender o que tento dizer: “Ponto de corte”, by Bruna Mitrano, “Célio no céu, com toda a sorte de pedras preciosas”, by Angélica Freitas, and “Cego amor”, by Armando Freitas Filho. The study is structured in the following sections: 1) Introduction; 2) “Literary infections: an overview of HIV/AIDS in contemporary Brazilian poetry”; 3) “Poetic anthologies and HIV/AIDS: the flowers of ‘Tente entender o que tento dizer’”; 4) “The representations of HIV/AIDS in three poems of ‘Tente entender o que tento dizer’”; and 5) Conclusion. In general, the three poems analyzed before elaborating meanings about HIV/AIDS differences from the stigmatizing discourses, which are strongly present in the first decades of the epidemic. By approaching the theme of uncertainties and dualities not only of sex but of life itself, those poems, each in its way, humanize a thematic still marked by prejudice and discrimination. Tipo: Dissertação 2022-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/4409 Título: Construções condicionais introduzidas por "caso" no português do Brasil Abstract: This work aims to investigate the conditional construction introduced by caso in contemporary brazilian portuguese considering that the conditionality relation constitutes a complex category in which covers a variety of forms that can express different meanings. The theoretical basis for this work is the functionalist theory of language allied to the cognitive linguistics contributions, which support our view that language should be treated in its actual, effective use as an instrument of communication in which the cultural, social and cognitive contexts influences significantly in the way the language is structured. It is believed that the construction introduced by caso has a specific characteristic and presents pragmatic, semantic and morphosyntactic differences, and therefore should not be evaluated as equivalent to the prototypical conditional construction of brazilian portuguese. Thus, the main objective of this dissertation is to show how the conditionality meaning in the constructions introduced by caso is constructed. Specifically, the purpose of this paper is to describe and analyze the syntactic, semantic and pragmatic aspects of the conditional constructs initiated by the caso, in order to allow its characterization for the brazilian portuguese and thus to verify the basic aspects that allow this construction can be considered as a member of the conditional category. For this, were selected as the criteria of analysis the parameters of the conditionality defined by Dancygier (1998) which are: (i) Causality, (ii) Non-assertiveness, (iii) Prediction, (iv) Epistemic distance and (v) Mental spaces. We evaluate, in addition to the parameters of the conditionality, formal parameters such as the conditional clause position in relation to the main clause, and the time and verbal mood of the construction. In this study, occurrences of contemporary Brazilian Portuguese were considered, collected in the database available online Corpus do Português (www.corpusdoportugues.org). The results confirm that, given the peculiarity of the caso connector, the meaning of condition is established in the constructions introduced by the caso in a specific scheme, distinguishing itself from the prototypical pattern in different points. Tipo: Dissertação 2018-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/4268 Título: O projeto político-estético-ideológico nos romances de Darcy Ribeiro: da violência ao erotismo Abstract: This work aims to analyze the political-aesthetic-ideological project of Darcy Ribeiro's novels, which are Maíra (1976), O Mulo (1981), Utopia Selvagem (1982) and Migo (1988), from the perspective of violence and of eroticism. For this, the dialogue between the anthropologist, the politician, among other profiles of the Montes Claros intellectual is established with the novelist. From this approach, to discuss the two proposed perspectives, we have the representation of subordinate characters in the foreground of the works and how violence, whether objective or subjective, permeates Ribeiro's literary production. The author, when elaborating his novels with the continuous representation of the modus operandi of the formation of the Brazilian people based on colonization, slavery and dictatorship and how the effects of these events still reverberate in the organization of these people, elaborates a project based on anguish. The objective of this political-aesthetic-ideological project is to contribute to reaching the people's state of lucidity, whose purpose is social reconfiguration. To support this analysis, regarding the aesthetics of a Marxist bias and the definition of ideology, this thesis will be supported by the writings of Adolfo Sánchez Vázquez and Karl Marx; on the concept of politics, we will be based on the production of Hannah Arendt; the theme of violence will be approached from the writings of Slavoj Zizek; about the constant of eroticism in darcyan literature, we will analyze how it, in the wake of, mainly, Georges Bataille, in the economy of excessive spending, configures itself as a counterpoint to violence. Added to the dialogue are the reflections of Michael Foucault, Antonio Gramsci, Vilém Flusser and Ernst Bloch, among others, in addition to the non-literary productions of Darcy Ribeiro. Tipo: Tese 2021-01-01T00:00:00Z https://repositorio.ufms.br/handle/123456789/4243 Título: Luz, câmera, palco, ação: a presença de Plínio Marcos no teatro e no cinema Abstract: Anclado en contribuciones de Prado (1987); Magaldi (2004, 2008); Pallottini (1989, 2006); Faria (1998) y Enedino (2009), en cuanto a la constitución del discurso teatral, en los supuestos teóricos de Jullier y Marie (2009); Aumont y Marie (2009); Xavier (1983) y Gomes (1987), por la aproximación al lenguaje audiovisual del cine, y en las colaboraciones de Hutcheon (2011); Corseuil (2019); Gomes (2008) y Guido y Estevinho-Guido (2012) sobre la investigación de la adaptación cinematográfica, este proyecto pretende evidenciar sobre el proceso de transposición de los textos dramáticos Dois perdidos numa noite suja (1966) y Navalha na carne (1967), de Plínio Marcos para el cine brasileño. Para lograr este objetivo general, se enumerarán los siguientes objetivos específicos: 1) contextualizar y describir los textos dramáticos de Plínio Marcos; 2) contextualizar y describir los respectivos textos cinematográficos; 3) identificar similitudes y diferencias entre los textos fuente y las producciones adaptadas. La elección del tema resultó del interés por las relaciones interdiscursivas e intersemióticas entre la literatura y otras artes, centrándose en los lenguajes orales, escritos y audiovisuales, pero sin descartar la representacionalidad dramática (mimese) y la instancia narrativa épica (diegese). En este segmento, esta tesis se enmarca en la perspectiva de la Literatura Comparada, un privilegiado espacio reflexivo y multidisciplinario para la toma de conciencia de la multiplicidad (histórica, teórica y cultural) del fenómeno artístico-literario. Sostenemos que la transposición de textos dramáticos al cine se ve potenciada por las condiciones de producción de estas obras artísticas, generando (ideológica, social y culturalmente) representaciones dispares o incluso conflictivas. De hecho, en la estela del pensamiento crítico-teórico, se destaca que la Literatura Comparada es un proceso y no un mero producto y, por extensión, le corresponde al investigador tener en cuenta que trabajar con adaptaciones significa, sobre todo, “Pensándolas como obras inherentemente ‘palimpsesto’ [...] perseguidas en todo momento por los textos adaptados” (HUTCHEON, 2011, p.27). La investigación se basa en lecturas existentes, pero mantiene, como hilo conductor, el acercamiento a los propios textos / películas, buscando comprenderlos desde su configuración interna y los parámetros constructivos adoptados. En el apartado “A arte como representação: o artista e a recriação da realidade” se estudia la historia, conceptos y reflexiones sobre el arte, la literatura, el teatro, el cine y las adaptaciones cinematográficas. También trae a colación la biografía y obra del dramaturgo brasileño Plínio Marcos. “Por entre palcos e telas: em cena Dois perdidos numa noite suja” es el apartado en el que surgen reflexiones sobre una lectura de la obra Dois perdidos numa noite suja y dos adaptaciones cinematográficas. En el apartado “A contemporaneidade pelo fio de uma navalha” se realiza un análisis de la pieza Navalha na carne y sus transposiciones al séptimo arte. Parece que las diferencias entre las piezas y sus adaptaciones se basan, en particular, en las configuraciones de los personajes y los espacios en los que se mueven, de donde, en general, la dispersión de temas deriva, y sólo ocasionalmente, el mantenimiento de males sociales, ratificando así la relación indisoluble entre representación artística y sociedad. Tipo: Tese 2021-01-01T00:00:00Z