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  <title>DSpace Coleção:</title>
  <link rel="alternate" href="https://repositorio.ufms.br/handle/123456789/7250" />
  <subtitle />
  <id>https://repositorio.ufms.br/handle/123456789/7250</id>
  <updated>2026-04-15T04:23:42Z</updated>
  <dc:date>2026-04-15T04:23:42Z</dc:date>
  <entry>
    <title>Observações antropológicas do corpo feminino negro na obra de artistas campo-grandenses</title>
    <link rel="alternate" href="https://repositorio.ufms.br/handle/123456789/14104" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufms.br/handle/123456789/14104</id>
    <updated>2025-12-10T14:49:25Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Título: Observações antropológicas do corpo feminino negro na obra de artistas campo-grandenses
Abstract: This research aims to investigate the self-representation of the Black female body in the works of Black women artists from Campo Grande/MS. It examines how these women reinvent or reinterpret the representation of their bodies in response to a historically white artistic context that has portrayed them. To achieve this, it is necessary to understand the discriminatory practices perpetuated through representations created by white artists with stereotypical views, which have resulted in the objectification and marginalization of a segment of Brazilian women. Through a detailed anthropological interpretation, the study seeks to understand the aesthetic, symbolic, and narrative strategies employed by Black women artists to retell their history through art, challenging the objectification and marginalization of the Black female body and to construct a new visual narrative that values diversity and affirms individuality. This study aims to contribute to the expansion of knowledge about the resistance and struggle of Black women artists in the state who, through self-representation, use their voices to transform the symbolic aggressions suffered in the past.
Tipo: Trabalho de Conclusão de Curso</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Aliança entre antropólogos e os povos Guarani e Kaiowá: uma relação possível?</title>
    <link rel="alternate" href="https://repositorio.ufms.br/handle/123456789/14077" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufms.br/handle/123456789/14077</id>
    <updated>2025-12-09T20:20:11Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Título: Aliança entre antropólogos e os povos Guarani e Kaiowá: uma relação possível?
Abstract: This research aims to analyze the relationships established between anthropologists and Indigenous peoples, specifically between the Kaiowá and Guarani and the anthropologists who research and work together in Mato Grosso do Sul.
Tipo: Trabalho de Conclusão de Curso</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>O humanismo em Erich Fromm e a possibilidade de liberdade: uma análise bibliográfica</title>
    <link rel="alternate" href="https://repositorio.ufms.br/handle/123456789/13983" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufms.br/handle/123456789/13983</id>
    <updated>2025-12-08T12:43:41Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Título: O humanismo em Erich Fromm e a possibilidade de liberdade: uma análise bibliográfica
Abstract: The present work seeks to analyze and reinterpret Erich Fromm as a political thinker whose ethical humanism grounds a broad critique of capitalist modernity. Drawing on the concept of social character, Fromm explains how economic structures shape needs, emotions, and patterns of behavior that sustain forms of alienation, consumerism, and submission to authority. Moreover, Fromm combines social psychology, humanistic ethics, and democratic socialism to propose a society oriented toward the ˜mode of being˜, creativity, love, and solidarity. The discussion includes Fromm’s defense of an ethics based on the unfolding of human capacities and on overcoming non-productive orientations, as well as the examination of his critique of alienated labor, the consumer market, and patriarchy. At the level of institutional politics, his proposal of participatory mechanisms and economic democratization stands out. On the global level, Fromm anticipates debates on inequality, nationalism, and the need for ˜One World.˜ It is concluded that Fromm’s theory offers a radical and normatively robust humanism capable of confronting the theoretical limitations of postmodernity and renewing the emancipatory horizon of the Left in its pursuit of positive freedom.
Tipo: Trabalho de Conclusão de Curso</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>NEGOCIAÇÕES COSMOLÓGICAS SOBRE ÍCONES ALGORÍTMICOS NOS UNIVERSOS CATÓLICOS</title>
    <link rel="alternate" href="https://repositorio.ufms.br/handle/123456789/13927" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufms.br/handle/123456789/13927</id>
    <updated>2025-12-06T17:26:52Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Título: NEGOCIAÇÕES COSMOLÓGICAS SOBRE ÍCONES ALGORÍTMICOS NOS UNIVERSOS CATÓLICOS
Abstract: This research investigates how contemporary Catholics negotiate the sacredness of religious images generated by artificial intelligence. Through netnography in online Catholic forums, a survey of 25 young Catholics, semi-structured interviews, and semiotic analysis of AI-generated images, the research demonstrates that the resistance emerges from multiple overlapping dimensions. These include the disruption of the abductive chains that allow for the recognition of divine agency in the image; the definition of art by qualities that AI does not consistently guarantee; the tension between anthropocentric and demonological cosmologies regarding the nature of AI; and an inadequacy of category, where algorithms cannot participate in the “cooperation with grace” essential to sacred art.
Tipo: Trabalho de Conclusão de Curso</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
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